All images copyright by the individual photographers

	Happy Mood by Clay Arnold Clay’s series of portraits, titled “Unconquerable Soul,” takes its name from a line in the poem Invictus, written by English poet William Ernest Henley in 1875. In Invictus, Henley explores themes of inner strength and perseverance. In the same vein, Clay encourages viewers to “enjoy the confidence that lies in the vulnerability and form of these Unconquerable Souls.” I was particularly drawn to “Happy Mood” because of the visual irony it presents. The eye is first caught by the bright yellow smiley face, which implies joy, but this contrasts with the subject’s expression, body language, and the muted tones of both the setting and his clothing—elements that suggest a different, more introspective narrative. The subject is positioned slightly off-center, creating a dynamic visual balance. The diagonal line formed by his posture adds a sense of informal ease and introspection. The dramatic lighting contributes depth, and the use of primarily earth tones, punctuated by the pink hoodie and white sneakers, enhances the paradox set against the cheerful smiley face. The worn wooden floor and slightly grimy white wall lend the image a gritty, urban feel that grounds it in reality. The minimal background ensures that the viewer’s focus remains on the subject and the props, without distraction. The subject’s clothing and accessories convey a strong sense of personality and individuality. His introspective—or even somber—expression introduces a compelling tension with the image’s title and the bright, cheerful smiley face prop. This layered storytelling makes the photo compelling and memorable—more than just a streetwear portrait, it’s a commentary on emotional authenticity. Is Clay, through this portrait, commenting on performative happiness or inner conflict? Or is it perhaps a critique of surface-level joy and the societal pressure to appear cheerful in the face of adversity? What do you think? Congratulations, Clay, on assembling this powerful and thought-provoking presentation of your photography. By Dick Bennett
	Cleveland Clinic 3 By Don Burkel Don’s photo entitled Cleveland Clinic 3, is part of a series in Don Burkel’s exhibit in the Neuberger Gallery.  This particular photo, received a Gallery Pick because of the fascinating way it captures the architecture of the Cleveland Clinic Lou Ruvo Center for Brain Health in Las Vegas, designed by Frank Gehry. The photo illustrates the building in a moment that vividly showcases its unconventional architectural design. Gehry’s manipulation of form and space comes to life through this image, with both complexity and elegance.  By filling the frame with one section of the building, the viewer is drawn into the multidimensionality of the structure. The image successfully showcases the distinctive, rising and falling reflective metal surfaces that are characteristic of Gehry’s design style.  The curved forms dance in and out of perspective, creating a sense of movement. The contrast and monochrome tone add to the dramatic and contemporary feel, highlighting the texture and the play of light and shadows across the building’s surface. One of the striking aspects of this image is how it conveys the complexity of the architecture through a still photo. It offers viewers an artistic interpretation that can be appreciated as an abstract composition. The framing and composition are thoughtfully executed, focusing on the interplay of forms without distraction from the surrounding environment. As I viewed the photo, I was fascinated by how the lines of the building swirl and flow, mirroring the brain’s intricate network of neurons.   Overall Burke’s photo embodies both the artistic genius of Frank Gehry’s architecture and the profound mission of the institution itself. Each element, from the composition and lighting to texture and detail, works together to create an image that not only represents an architectural landmark, but also serves as a tribute to the fight against neurological diseases. Congratulations, Don, on your Gallery Pick! By Marie Costanza
	Fishing Hole By Boris Keller This diptych presents a striking contrast between two natural scenes that are visually and thematically complementary: The Canoe on Still Water The earthy tones—browns, golds, and muted reds—create a peaceful, autumnal atmosphere. The horizontal layering of the water, reeds, and forested background adds depth. The canoe and its occupants are perfectly placed off-center, drawing the eye naturally. The mirrored image on the still water subtly echoes the vertical reeds, enhancing the tranquil mood. Koi in Water The vibrant oranges, reds, and yellows of the koi dramatically pop against the dark, swirling water, creating dynamic energy. There’s a compelling sense of motion from the fish and water ripples that balances the stillness of the top image. The dark water with subtle reflections introduces a semi-abstract quality, making this piece feel more interpretive and emotional. This diptych juxtaposes stillness vs. motion, earth vs. water, and human vs. animal. It presents a rich dialogue between serenity and vibrancy, making the pairing compelling. Despite the differing energy levels, the color palettes are surprisingly harmonious, especially the shared warm tones. By Don Menges
	Reflection of Heron and Fish by Tom Kredo This artwork, Reflection of Heron with Fish by Tom Kredo showcases a compelling interplay between the heron and its shadow, creating a mesmerizing visual balance. The monochromatic palette enhances the stark contrast between the bird’s intricate feather details and the water’s mirror-like surface, emphasizing the precise symmetry of the composition. The heron's poised stance, with its sharp beak gripping the fish, adds a sense of dynamism, while the reflection beneath it reinforces the stillness of the water, providing a fascinating juxtaposition of movement and calm. Graphically, the piece is very effective. The vertical axis of symmetry anchors the composition, guiding the viewer’s eye naturally through the artwork. The high level of detail in both the heron and its reflection demonstrates a masterful command of precision, making the image feel both striking and elegantly restrained. The framing choice—simple yet refined—keeps the viewer's focus on the illustration itself, allowing the depth of textures and contrasts to shine. Overall, this piece succeeds in capturing the essence of nature’s beauty with artistic sophistication, making it a captivating and contemplative work. By Steve Levinson